"The best Wim Wenders documentary to date and an uncommonly self-effacing one, this 1999 concert movie about performance and lifestyle is comparable in some ways to "Latcho Drom," the great Gypsy documentary/musical. In 1996, musician Ry Cooder traveled to Havana to reunite some of the greatest stars of Cuban pop music from the Batista era (who were virtually forgotten after Castro came to power) with the aim of making a record, a highly successful venture that led to concerts in Amsterdam and New York. The players and their stories are as wonderful as the music, and the filmmaking is uncommonly sensitive and alert," wrote film critic Jonathan Rosenbaum.
John Ford's Oscar-winning depiction of Okies flocking to California in droves during the Depression was based on John Steinbeck's best seller. Seen by many as more "respectable" than Ford's later westerns, but Gregg Toland's stark photography and Henry Fonda's memorably penetrating performance as hero Tom Joad elevate it to American artistry.Gallery of images from production of "The Grapes of Wrath" Movie still Movie Still #2
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Pare Lorentz, a film critic in his early career, wrote and directed this short documentary illustrating the result of out of control agricultural development which contributed to the Dust Bowl. Lorentz was hired as a consultant for the Resettlement Administration, a New Deal program to document conditions and educate the public. Lorentz exceeded the agency's budget by several times in creating a picture that audiences would find both artistically and thematically compelling. Few theater chose to screen the film initially, but after greater promotion by the administration and Lorentz himself, "The Plow That Broke the Plains" was generally well received. Its impact on farming practices may be difficult to gauge, but it unquestionably impacted John Ford in his film adaptation of John Steinbeck's "The Grapes of Wrath."Expanded essay by Dr. Robert J. Snyder (PDF, 483KB)
Before "They Call It Pro Football" premiered, football films were little more than highlight reels set to the oom-pah of a marching band. In 1964, National Football League commissioner Pete Rozelle agreed to the formation of NFL Films. With a background in public relations, he recognized that the success of the league depended on its image on television, which required creating a mystique. "They Call It Pro Football," the first feature of NFL Films, looked at the game "in dramaturgical terms," capturing the struggle, not merely the outcome, of games played on the field. Written and produced by Steve Sabol, directed by John Hentz and featuring the commanding cadence of narrator John Facenda and the music of Sam Spence, the film presented football on an epic scale and in a way rarely seen by the spectator. Telephoto lenses brought close-ups of players' faces into viewers' living rooms. Slow motion revealed surprising intricacy and grace. Sweeping ground-to-sky shots imparted a "heroic angle." Coaches and players wearing microphones let the audience in on strategy and emotion. "They Call It Pro Football" established a mold for subsequent productions by NFL Films and has well earned its characterization as the "Citizen Kane" of sports movies.Expanded essay by Ed Carter (PDF, 281KB)
I.14. If a man have intercourse with the wife of a man either in an inn or on the highway, knowing that she is a man's wife, according as the man, whose wife she is, orders to be done, they shall do to the adulterer. If not knowing that she is a man's wife he rapes her, the adulterer goes free. The man shall prosecute his wife, doing to her as he likes.
Nintud said to Uttu: "Let me advise you, and may you take heed of my advice. Let me speak words to you and may you heed my words. From in the marsh one man is able to see up here, is able to see up here, he is; from in the marsh Enki is able to see up here, is able to see up here, he is. He will set eyes on you..." (Uttu said:) "Bring cucumbers in ......, bring apples with their stems sticking out , bring grapes in their clusters, and in the house you will indeed have hold of my halter, O Enki, you will indeed have hold of my halter."
When he was filling with water a second time, he filled the dykes with water, he filled the canals with water, he filled the fallows with water. The gardener in his joy rose from the dust and embraced him: "Who are you who ...... the garden?" Enki (said to) ...... the gardener...[4 lines missing]...He brought him cucumbers in ......, brought him apples with their stems sticking out , brought him grapes in their clusters, filled his lap. Enki made his face attractive and took a staff in his hand. Enki came to a halt at Uttu's, knocked at her house (demanding): "Open up, open up." (She asked): "Who are you?" (He answered:) "I am a gardener. Let me give you cucumbers, apples, and grapes for your 'Yes'." Joyfully Uttu opened the house. Enki gave Uttu, the exalted woman, cucumbers in ......, gave her apples with their stems sticking out , gave her grapes in their clusters. 2ff7e9595c
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